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Klára Würtz has a special affinity for Schubert. The musical world of dark and light, from innocence and bliss to utter despair, finds a natural expression in her everflowing, intensely musical playing. The famous last sonata in B flat D960 has been on her repertoire for decades, and her interpretation is one of deep love, understanding and feeling. Her interpretation is characterised by a clear sense of structure, a singing quality and a warm and luminous sound. Würtzs recent recording for Piano Classics of the Schubert Impromptus (PCL0013) was reviewed in Fanfare: There are just a handful of great recordings of these 8 pieces: Schnabel, Brendel, Lupu, Zimerman, Uchida, PerahiaI believe that Klára Würtz belongs to this exalted companythis is very natural and distinctive musicmaking at a very high level.. (Charles Timbrell, Fanfare). Klára Würtzs intelligence, technical finesse and innate musicality serve the Schubert Impromptus well (Jed Distler, Classicstoday.com).